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sombredancer · 9 months ago

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Asian dramas and my favorite types of characters

There are my favorite types of characters as a list. A villain with a fatal weakness

Drama: The Scholar Who Walks the Night /밤을 걷는 선비 Character: Gwi Screentime: Secondary Gwi is an ancient vampire and a master of puppets (and Joseon's king is the main of them). He is merciless, invincible and scheming all the drama long, until he accidentally kills a girl, who was his hostage and recalcitrant puppet from her childhood on and was the only one who could scold him and deny him. Nothing about it is said directly in the drama, but after her death he goes insane, kills all of his puppets and this way causes his own death. So, I suppose, she was his only weakness, and I like this type of a personal drama for a villain. Punch-Clock Villain / the Dragon

Drama: 100 Days My Prince /백일의 낭군님 Character: Moo-yeon Screentime: Secondary Moo-yeon works as an assassin for the killer of his father, who is constantly threatening him with the life of his sister. Moo-yeon is a man of a very ill fate: his family was accused of a treason and executed, his sister became a fugitive, he was forced to sell his conscience for his and sister's lives and, as a cherry on the top of this cake, fell in love with the daughter of his captor. And died trying to save her... His story is sooooo sad, but it makes me feel for this character fully. Also, he is the king of whump because the half of the drama he is injured and suffers from his wounds. The whole sad story of this guy is analyzed by me here, here and here.

Drama: The King Loves /왕은 사랑한다 Character: Moo-suk Screentime: Minor Koreans, obviously, like this type of characters, too, so there is another Dragon of the main villain, Moo-suk. In his free from dirty deeds time he h̶e̶l̶p̶s̶ ̶o̶l̶d̶ ̶l̶a̶d̶i̶e̶s̶ ̶c̶r̶o̶s̶s̶ ̶t̶h̶e̶ ̶r̶o̶a̶d̶ literally saves cute children and restores self-confidence of young ladies. And then he falls in love, rethinks his life and dies from the hand of his master. Predictable and sad. Still a memorable guy, though. 50 shades of a Byronic Hero

Drama: The Wolf / 狼殿下 Character: Chu Youwen Screentime: Main A Mowgli boy was adopted by a wicked emperor, brought up like a cruel beast and was forced to do some dirty stuff for the emperor. He is mysterious, severe and you never know what's on his mind. As a true Byronic hero. He is some kind of Dragon, too, but it's a Chinese drama and he is a main hero in it, that's why he doesn't really do anything bad during the series. His soul is kind and his heart is pure, but he hides it from his love and deals with all of his problems on his own. It's the reason why all of this drama is a masochistic tango between him and his love. Whump lovers will be happy, too, because he is constantly in chains, pierced by arrows like a hedgehog or works as a slave in mines. As any other Dragon, he has a BE.

Drama: Lost You Forever /长相思第一季 Character: Xiang Liu Screentime: Secondary A mysterious demon general, whose name makes everyone shake in fear. A former demon slave, who is true to his word enough to fight for his benefactor even if he knows crystal clearly that it's hopeless and he and his army will die in the end. A man who has huge problems with expression of his emotions in a socially approved way. Edward Cullen of Chinese dramaland. He is enigmatic, with thick vibes of a bad guy, yet very loyal to his benefactor as well as his love and very selfless. Because of this loyalty he will die and the love of his life will never-ever find out about anything he has done for her during the story.

Drama: My Journey to You /云之羽 Character: Gong Shangjue Screentime: Secondary A guy was through trauma in his childhood and it made him look intimidating and unfeeling. A tsundere is born! He coped with his trauma by taking extra responsibilities for everything and everyone and turned to be a walking killing machine instead of a man. But an enemy assassin comes to his life and teaches him how to be a human once more. It's a painful experience, but it`s necessary in order to grow up as a character and is beautifully fulfilled. It was a great joy to know that he survives at the end of the story, it's a rare thing for this type of characters, so even if there is season 2 someday, I will not watch it in order not to spoil my impression of the first one. I wrote about him detailed here, here, here and here.

Drama: Princess Agents / 特工皇妃楚乔传 Character: Yan Xun Screentime: Secondary It's the transformation story, too, like a previous one, but this time it's transformation from an ordinary man to a villain. Prince Yan Xun is a hostage colony prince in a metropolis empire, but he enjoys a noble life along with other nobility youth. The society around him is awful, each of these noble youths is a psycho who appreciate human hunt and so on, but cheerful and easy-going Yan Xun doesn't think their bloodthirstiness could turn against him. When relationship between the metropolis and the colony become tense, though, Yan Xun's friends of yesterday are happy to drink his blood. He loses his whole family and, insanely longing for revenge, slowly turns to one of those monsters himself.

Drama: Fangs of Fortune / 大梦归离 Characters: Li Lun & Zhao Yuanzhou Screentime: Secondary The Great Demon was dumped by his boyfriend because of his aggressive ways of protecting people of his own species and still can't get over their break-up. He goes through all five stages of acceptance of their break-up while being a villain of the story. In the end his obsession brings him to his doom, because he loves his ex-friend too much. He is morally grey yet a versatile and interesting character. I wrote about him here: 1 , 2, 3 and 4.

Drama: A Journey to Love / 一念关山 Character: Li Tongguang Screentime: Minor This guy has got a very realistic personality and background: he is a bastard who was deprived of mother's love since he was a child. The first circumstance made him power-hungry, scheming and outwardly emotionless, the second one made him longing for mother's love on insanely level. So he is invincible outwardly, but turns into a teary mess when it's about his female tutor, who is a mother figure for him. The contrast between these two personalities is enormous and makes this character very alive and interesting. During the drama he will not cope with his Oedipus complex but circumstances will solve this problem for him.

A pure-hearted hero

Drama: Creation of the Gods Ⅰ / 封神三部曲 Character: Ji Fa Screentime: Main It's maybe strange to find this type of characters in the list of my favorite types, but morality and selflessness of a character is very important for me, too. This story is some kind of King Arthur's legend, but in a Chinese way. The emperor is bewitched by a demon and is bringing the kingdom to it's downfall, the Gods are here to find the savior with the help of a magic scroll that can be opened only by a true king. Ji Fa, a hero of this story, doesn't care about scrolls, but his heart is loyal to his kingdom and to his family (in this very order). He genuinely wants to help his friend-prince to be a king his kingdom deserves and, despite awful things that were done to him and his family, doesn`t harden his soul and betray his ideals. And, I suppose, although he isn't aware of this, he IS the future King Arthur of China. Interesting character decisions

Drama: The Legends/招摇 Characters: Jiang Wu Screentime: Minor This character is something like a rival of the male lead. He is a xinmo - an inner demon of some other character and represents the darkest features of a human's soul. He is a ruthless killer, a dark sorcerer without conscience, but what was very unique, being literary the worst part of a human personality, he values his assistants a lot and genuinely cares for them. A villain is usually a lone wolf. He doesn't trust anyone and doesn't value anyone, his loneliness is usually his weakness and a key to his downfall. So I was pleasantly surprised that sometimes a villain is capable of building healthy relationships with his subordinates.

Drama: Sh**ting Stars / 별똥별 Characters: Do Soo-hyuk Screentime: Minor

This guy truly surprised me. Firstly, he is supposed to be something like a third wheel in relationships of the main couple, but he just calmly got a refusal from the female lead, said "OK" and, absolutely relaxed, proceeded to live his life further. It's something unbelievable for me, because I used to see the insanity caused by an unrequited love to be the plot engine of a lot of dramas. Secondly, he is well-written as a character, straightforward, principled and has tsundere-ish or Byronic vibes - all the character features that I like =) Part 3 will be about other interesting types of relationship, mostly between men.

Also you can see: Asian dramas and relationship dynamics (Pt. 1) Asian dramas and relationship dynamics (Pt. 2) Asian dramas and Love tropes Enemies to Rivals/Lovers recipe

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moutheyes · 2 months ago

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[translation] Allure Korea - Love in the Big City Interviews

Hello, for fun/practice I decided to translate the Allure Korea interviews with Nam Yoon-su, Kwon Hyuk, Na Hyun-woo, and Jin Ho-eun, who are starring in the upcoming TV adaptation of Love in the Big City. I saw bits and pieces floating around social media but hadn't seen a full translation anywhere. I've been learning Korean for a long time but still honing my translation skills, so any awkward parts or mistakes are mine. If there's anything egregiously wrong, please let me know and I'll fix it with a note!

LOVE NEVER SLEEPS / Love in the Big City: Nam Yoon-su & Kwon Hyuk, Na Hyun-woo & Jin Ho-eun

In Love in the Big City, Nam Yoon-su, Kwon Hyuk, Na Hyun-woo, and Jin Ho-eun fall in and out of love intensely, just like everyone else in the world. In Seoul, a city that never sleeps, love never disappears.

Park Sang-young’s Love in the Big City, a queer literary bestseller, will find new audiences in two separate adaptations this year. One of them is a currently airing movie, and the other is a drama about to premiere. The movie focuses on a character named Jae-hee from the original novel, while the drama depicts the first half of the novel, and Park Sang-young himself participated in writing the script.

“I tried to keep the emotions of the original story as they were,” he said. “I also put a lot of effort into reproducing the rawness of queer life in a big city, and aimed to bring out various detailed feelings in order to let viewers connect emotionally with each chapter.” As he explained, the protagonist Go Young is “a person whose natural brightness masks the sadness in his life. He is a scientist who studies everything about love, embraces the inexperience of life, and eventually turns it into something beautiful.”

This role is played by Nam Yoon-su, and the drama will be a total of eight episodes, with two each directed by renowned directors who have appeared in various film festivals: Hur Jin-ho, Hong Ji-young, Son Tae-gyeom, and Kim Se-in. The actors (T/N: except for Nam Yoon-su) all said that they met for the first time at the photoshoot. There’s never been a drama like this before in Korea, but it’s a drama that must exist. Borrowing them for a time, Allure Korea met the four actors who loved each other passionately.

NAM YOON-SU

I have to ask how you’re doing. As soon as filming ended on the drama, you donated a kidney to a family member and became an ambassador for the Life-Sharing Campaign. No one knew about this?

I lost some weight but I’ve been healthy. I really didn’t know it would receive that much attention.

Seeing as how the episodes were filmed two at a time, aside from Yoon-su, the other actors are all meeting for the first time here?

Correct. That’s why the atmosphere is a little awkward? (laughs) Everyone’s introducing themselves and asking each other’s ages. Kwon Hyuk and Na Hyun-woo hyungs, I dated for a month each, and I dated Ho-eun for around three months?

Haha, so that’s how all of Nam Yoon-su’s men met. Or should I say, Go Young’s men?

“Nam Yoon-su’s men” works. (laughs) That’s accurate. I’ve done everything with them.

How did you get involved with Love in the Big City?

For me, it wasn’t a difficult decision, nor was it a difficult show. I’ve had queer friends since I was young, so I’ve always been open-minded. I could do everything the script and the director demanded of me. I thought of Go Young as a very ordinary person. He eats, sleeps, and loves like anyone else. The fascinating thing was, I received a ton of DMs after the casting was announced. They were thanking me. It was really amazing.

Haha, these are DMs you wouldn’t have received for any other dramas up until now.

People from different countries thanked me for taking part in this drama. Of course I also received hate, but there were way more thankful messages. They were even fighting in the comments. I just stayed out of it.

Park Sang-woo said, “Nam Yoon-su was destined for the role. I had a strong premonition that this person would become Go Young.”

Is that true? Thank you. (laughs)

It was a comment prepared especially for today. (laughs) But hearing that, I think the drama will remain faithful to the novel. It seems like Go Young experienced a lot of love in a compressed amount of time.

It’s because he was looking for love, isn’t it? I read the novel and thought it would make for a fun drama. I really thought hard about how I could express the story.

Didn’t the main character go through some changes? In the novel Young is described as a “fat cat,” so his nickname is “Fatty Catty” (뚱고).

Hehe, that’s correct. You have a good memory. Compared to the character in the book, I’m taller and skinnier, so in the drama “Fatty Catty” becomes a “chubby kitty.”

You’re the only one who worked with all four directors. How different were their directing styles?

Not just their filming techniques, but the crew and staff were also completely different. It felt like a fresh start every time. Directors Hur Jin-ho and Kim Se-in love to do long takes, but even those were different. Director Hong Ji-young said from the beginning, “I only film one or two takes, but there are a lot of cuts.” And director Son Tae-gyeom likes to film dialogue in a natural way. He kept only saying that it was good, so I got confused. Their styles are naturally different, so I’m also curious how the final product will turn out. I haven’t seen the final cut yet. Can I see it already?

Continuously switching between directors, what was that experience like as an actor?

I was able to learn a lot, actually. I would get used to one director’s methods, and then switching to another one would be a challenge. I would be in the middle of a scene, then get flustered and stop. It felt like a sudden change in the environment and atmosphere. We actually only had about a month to get to know each other. But as soon as we got close, it was already time to part ways, so that was sad. I think the audience will feel those directorial changes as well. That’s how different it is.

Everyone’s curious about this drama. Love in the City is described as “the story of a very ordinary queer person.” The emotion of love doesn’t change according to sexual orientation, but it can still be seen as unconventional.

It’s the same old love story. We live our lives, and the only difference is sexual orientation. I hope people see it for what it is. It’s not a surprise or a special realization that Go Young is gay, this is just his daily life. But the fact that the show is only available on streaming platforms means Korean society still thinks of it that way. I don’t know what the final cut will be like, but there are some spicy scenes, so it’s probably difficult for non-cable TV.

Korea has never seen a drama like this before?

Up until now, Korea has not had a drama like this. People ask me if doing this show will have a negative impact on me, but that’s the way I am. I’ve never thought about it, and I won’t in the future. I don’t want to act while only considering my image. I think that’s what being an actor is about.

So what is your mindset when acting?

It’s about what I want to do, and what I want is to make good shows and movies.

Just going where your heart leads? That’s simple and good.

That’s how I’ve lived my life, both as a model and when I went into acting. I just accept everything and consider whether I like or dislike it. I have a simple approach to work. I want it to be like that in the future as well. This drama, too, I just had fun while filming it.

What are you really like in a relationship?

Nothing special. Like Go Young, I just meet up and have a meal with them. I don’t date that often? (laughs) When I’m working, it’s hard to stay in contact. My relationships don’t tend to last that long. I’m quick to warm but also quick to cool. Honestly, that’s my dating style.

So you’re a bad boy, then.

I’m nice at heart. (laughs) I do everything I can for the other person. But I don’t think I’m good at dating. Hyun-woo hyung just asked me when I’m going to read his KakaoTalk messages... (laughs)

Seoul itself is another main character in Love in the Big City. Did you get to go around the city a lot?

Actually, we filmed in a lot of places. We also went to the club from the novel and filmed there. It’s a real gay club, and I heard it was the first time they allowed any filming there. They said the director went to get special permission. We put out a casting call for extras for the club scenes, and they also came and helped out.

Is there a neighborhood that represents Seoul to you?

I’m from Namyangju, and the first time I lived alone was in Wangsimni. Cheonggyecheon. I’ll never live in Apgujeong. There are a lot of bars there, which I don’t really like. After Cheonggyecheon, I lived in Dowon-dong, then Yongsan, and also Mapo-gu. I’ve lived in a lot of places, so I’ll go somewhere else next.

What kind of neighborhood do you have to live in?

Pyeongchang-dong. I’ll move there next. A place with monthly rent.

Do you enjoy living in a big city like Seoul?

There are so many people in Seoul. In some ways, there’s too many. It’s too crowded. I don’t like that part.*

If there’s no one you love among all those people, then being an urbanite can be lonely.

That’s right. So I don’t go out. Even now, I just go to the mountains. I go with my camping chair on my shoulder, eat a lunchbox by myself, and then I go back down the mountain.

You get that same kind of feeling from the drama poster—being alone in a sea of people.

That’s a real scene from the drama. There was one scene in a club in Thailand, and another one where I’m waiting for Ho-eun.

What kind of love did you experience with the three men gathered here today?

In the first two episodes, Nam-gyu and I were dating when we were students. I liked him for a while, and when I didn’t like him anymore we broke up, something like that. As for Young-su in episodes 3 and 4, when you’re young, you like older people, right? Even though you regret it later. And in episodes 5 and 6, I’m dating Gyu-ho, who’s like a friend.

Why do you think these men loved Go Young?

I came on strong. (laughs) I was the one who kissed them first and I was also the one who approached them first. How do I seduce this person? That’s what I’m thinking about.

In episode 8, do you regret getting with Habibi? As in, you should have stayed with Gyu-ho.

I do regret it. I was heartsick but didn’t show it. I had no choice but to let him go.

Even though you were acting, were there any moments when you got carried away by the emotions? In today’s interview, everyone slipped into their characters while answering. It’s interesting.

That’s how I do everything, every time. I really do get emotional in crying scenes. The other hyungs and Ho-eun are also like that. We feel everything.

It was nice to see you today, after a long time. And all the men you used to love.

That suddenly reminds me. (laughs) I did it this way and I did it that way.

How will this drama be remembered?

I don’t know if I can say this, but I don’t think there will ever be another drama like this in Korea. There wasn’t before, and there won’t be after. So I hope everyone watches it.

*T/N: this was a little hard to translate directly so I went with the general tone, but his wording was interesting to me. The word he used in the first sentence was 사람, which is a neutral word for “person/people.” In the next sentence he used 인간, which means people in a greater humanity sense. The word he used for “crowded” was 몰리다, which can also be translated as “driven,” as in herding or steering, which to me further emphasized the dehumanizing aspect of Seoul being a big city swamped with people.

KWON HYUK

Love in the Big City starts with Nam-gyu’s story, but he’s hardly mentioned in the novel. He’s the closest thing to an original character in the drama. What kind of person is he?

Nam-gyu is shrouded in mystery. (laughs) On the outside he looks well-behaved and could even be considered rigid, so he could be frustrating. On the inside he’s a person who carries a fiery sort of love. When he dates someone like Go Young, he’s incapable of hiding his true self and conveys his feelings.

If that’s the case, why did they break up?

He’s super frustrating and inflexible. When acting as Nam-gyu, I felt that Go Young’s vibe was from the current generation, like someone who’s an MZ. But although Nam-gyu works as a photographer, he really has an ahjussi’s tastes. Go Young goes to clubs and is the carefree type, but this guy drives at 60km per hour (T/N: 37 mph). I think Go Young would have found him frustrating.

We asked Park Sang-young about each character, and he said this about Nam-gyu: He’s a guy who is inexperienced in love and can’t differentiate between love and obsession.

If there are experienced and inexperienced sides to dating, he’s definitely on the inexperienced side. I think everyone has gone through an immature phase when they were obsessed with someone, and even though they should have seen and accepted that person for who they are, they kept forcing themselves to see only the good things. I could have been like that once, too.

How did you get involved with Love in the Big City?

Director Son Tae-gyeom, who filmed the first two episodes, contacted me. I liked his film Baby and Me (2017), but we didn’t know each other personally so it was a little surprising.

So a director you admired suddenly contacted you one day?

That’s right. He said he wanted to suggest the character of Nam-gyu to me. He said he’s seen almost all of my work and could already picture me as Nam-gyu. He laid everything out very clearly. It’s this kind of drama, and the production will go in this direction. He spoke with so much conviction, I thought I should trust him and give it a try.

Is that how you got your hands on the script?

It’s really fun, and there are kissing scenes, but I don’t find that difficult or burdensome. Can I play this role well? That was the assignment. Nam-gyu and I are really different. I wanted to know what the director saw in me that made him think I could portray this character well.

You’ve never been directly asked like this before?

I think so. No one’s ever asked me about that. (laughs) It’s so different, will the viewers be able to enjoy watching my character? I thought about that a lot. I also talked a lot with the director. This was a very indistinct character in the novel, so there were a lot of blanks we had to fill in. The director accepted my interpretation of the character. Nam-gyu has a unique way of speaking. He uses unusual words. Things like “that was splendid.”** Usually you’d say something was good or great, but he uses “splendid.” People don’t say that often.

What kind of director is Son Tae-gyeom?

He’s a really warm person. I had so much fun and was so happy on set. He let the actors try out a lot of stuff they wanted to do, and from the standpoint of trying to inhabit a character, I was really grateful for that.

What kind of opinions did you give?

Something that comes to mind right now is, normally if you’re introducing yourself, you’d say, “Hello, my name is Kim Nam-gyu,” right? But the Nam-gyu in my head would say, “I’m Kim. Nam-gyu.”

So that’s how you became Nam-gyu. Why was he attracted to Go Young?

I think, as with all love, It has to begin with attraction. Wasn’t I attracted to him because he was so different from me and had something I didn’t have? I thought about that while acting, but Yoon-su and I are very different as well. (laughs) I think he really is a lot like Young.

If you had to defend Nam-gyu?

I think it’s love. At first the viewers might think, “Why is this person like this?,” but if you consider Nam-gyu’s point of view from start to finish, you’ll feel sympathy for him. “Oh, of course that’s possible. It could be like that if you really like someone.” If you like someone a lot, it’s possible to act like you’re somewhere in between love and obsession.

Speaking of Go Young, he said he seduced Nam-gyu, Young-su, and Gyu-ho.

Is that what he said? He was young then so he didn’t know anything. (laughs)

Then did Nam-gyu seduce him?

Of course. Nam-gyu takes photos, and he met Go Young for the first time at a clothing photoshoot. Although it was his first time doing it, there was something in his eyes. There was a certain energy about his photos, and that’s how it started.

After breaking up with Go Young, does Nam-gyu think about him?

I think he was too into him. Because Go Young made him frustrated with himself, he went too fast. He tried to change himself, so doesn’t that mean he still likes Go Young a lot?

How was your chemistry with Yoon-su?

I felt that Yoon-su is a lot like Go Young, both on and off set. I wondered if he was always like that or if he was just acting like Go Young in his daily life for the sake of the drama, but he was always like that. (laughs) So I enjoyed it and it was always fun.

Seoul itself is another main character in Love in the Big City. Did you get to go around the city a lot?

We shot a lot in Itaewon and went around to various other places. We also went to Namsan and Jongno, and filmed while going around Seoul.

Is there a neighborhood that represents Seoul to you?

I’ve always liked Namsan Tower. Whenever I see it, I want to go up and look out at the city. So I went there a lot, and earlier this year I moved to a place where I could see Namsan Tower. I also like Yongsan. It’s the very center of Seoul.

Love is something all these characters yearn and work for. Is there a line that expresses Nam-gyu’s love?

I can think of two. One of them is in the narration, I think. “If obsession isn’t a form of love, then I’ve never been in love before.” The other one is, “Eat this, it’s really delicious,” and it’s when he gives Go Young something he really likes, but Go Young said he doesn’t like it. I think these two lines represent Nam-gyu really well.

What are you really like in a relationship?

I never touch the other person. I’m the kind of person who lets things be and tries to like them for who they are, without trying to change them. It’s my dream to get married someday.

What does it take to live romantically in this big city?

Love, of course. You have to live while loving someone to your heart’s content. We only have one life, so I think it would be nice to love someone sincerely.

How will this drama be remembered?

You’ll have to watch it to find out. For starters, we were really cold, since we filmed in December.

I guess Nam-gyu’s love was cold.

When we filmed at the top of Namsan Tower, it was so cold that I thought, “This is really how you lose weight.” It was 20 degrees (Celsius) below freezing. I couldn’t move my face, but I still made a lot of fun and happy memories. I don’t know how the world will remember this drama but I think it’ll be a really happy memory in my life. Also, infinite thanks to everyone who was determined and supported this drama... wasn’t it a challenge for everyone? An awesome challenge.

**T/N: The Korean word he uses here is 훌륭하다, which can also be translated as superb, marvelous, grand, etc. You get the idea. I’m curious how the subtitlers will handle Nam-gyu’s word choices!

NA HYUN-WOO

You play Young-su in episodes 3 and 4, which are directed by Hur Jin-ho.

That’s right. I’m that Young-su.

It must have been a difficult role. He’s hard to like in the novel.

Every time we filmed that kind of scene, the director, director of photography, and lighting director would all say, “what a bastard.” But it would have been impossible to play Young-su if I thought of him as unpleasant, so I tried my best to understand the role.

Park Sang-young describes Young-su as “someone who can’t accept himself, and even makes the people who love him feel lonely.” How did you approach the role?

I only thought about wanting to play him well. He has a lot of self-loathing. Of course he’s going to find love someday. Wouldn’t he be a better person due to his relationship with Go Young? I hope so. I think there must have also been moments when Go Young was clearly Young-su-like. And I also wonder whether Young-su will date another Young-su at some point.

You’re saying it’s a universal thing that can happen to people who are in love?

I think everyone inevitably has their Go Young moments as well as their Young-su moments. If that’s the case, wouldn’t Young-su also one day become Go Young-like?

How did you end up working on this drama?

I previously worked with director Hur Jin-ho on the show Lost (2021). We don’t keep in touch, but he suddenly contacted me and gave me the script. First of all, the fact that he called me himself was a big reason, and secondly, I was waiting for a drama like this. When I saw the script I knew I really wanted to do it. At the time, it was hard to see Young-su’s bad side. I just really wanted to do it, and thought I could play Young-su well, so I appealed really hard to the PD and ended up joining the cast.

What was the hardest part about playing Young-su?

In the novel he’s 38, and in the show he’s 35. That’s a little older than I am. Young-su was part of a student activist group at a prestigious university, but my generation doesn’t have that experience, so I had to do a lot of research. I’ve never met the author, but there was something about this character that was so hard to understand that I really wanted to meet him.

What part was the hardest to understand?

Why did he go back on his decision like that? What’s wrong with him? I wanted to find the author and ask him, but because I never got the chance, I just thought a lot about it and tried to figure out the reason. It must have been because he couldn’t accept himself. So no matter how unlikable Young-su is, I still feel sympathy for him. Dating Go Young was the most cowardly thing he did, and I think it was also the most painful for himself.

How was your chemistry with Yoon-su?

There wasn’t a lot of time before we started filming, but we did spend two weeks preparing for it. We became really close during that time. I’d never done such deep table reading on a drama before.

Go Young bragged that he came onto Young-su first.

He came onto Young-su? Wasn’t it more like fifty-fifty? Young-su already liked Go Young subconsciously. And wasn’t he like that because Go Young also reciprocated? Among ourselves, we described Young-su as “a man who is only nice at home.” Wouldn’t he have always made this choice?

Did you film at Olympic Park, where a certain incident between Go Young and Young-su took place?

We did. That was the first thing we filmed. It wasn’t easy. We’d just met and had to film a scene where I got mad at Go Young. And that evening there was another important scene to film as well.

Is there a neighborhood that represents Seoul to you?

We have the most fun during our college years, right? I graduated from Sejong University, so the entrance of Konkuk University and Hwayang-dong feel like Seoul to me.

What are you really like in a relationship?

When I was young, love was really romantic. Back then, I didn’t know myself, and aside from the other person I didn’t look at or date anyone else. Now that I’m older, I think it’s okay not to date. That’s the reality.

What was it like working with director Hur Jin-ho on Young-su’s episodes?

He likes suddenly coming up with ideas. He’ll abruptly remove or add new dialogue, or introduce scenes that weren’t originally in the script. You know that really long street in Itaewon? He suddenly wanted Go Young and Young-su to run down that street, even though there were so many people around. But he kept the camera hidden and filmed me and Yoon-su running down the street while screaming. A few people recognized me and called out my name. (laughs) There were no restraints, he just thought about filming realistically. I guess I was truly filming Love in the Big City!

Wrapping up that kind of shoot in a month, was it a bummer?

A total bummer. It’s like, I was so wrapped up in this character and suddenly it was over. This drama was my first one with such intense melodrama, and my first kiss scene...

You did all of that with Yoon-su.

Yoon-su took really good care of me. He quietly brought me mouthwash and said, “Hyung, use this.” That’s how he is with me. If we meet for dinner after he has a kiss scene during the day, he’ll tell me, “Hyung, I kissed so-and-so before coming here.” For some reason, I would feel weirdly jealous. It’s ridiculous. (laughs)

Haha, sounds like you got really immersed in the role.

When I was trying to get truly immersed during filming, I only saw Nam Yoon-su. I really researched only Nam Yoon-su, I looked up what kind of person Nam Yoon-su was, I only thought about Nam Yoon-su, to the point where he would appear in my dreams. Seriously, I was also shocked. I was that desperate to play this role well.

You became a Nam Yoon-su expert for a while. Did you get to know him that well?

I mean, I don’t know everything. That guy is really similar to Go Young! He went months without responding to my KakaoTalk messages.

He was really worried before. The three of you were sitting there after meeting each other for the first time, and he said it was awkward.

It’s true. Everyone here only looks for Yoon-su. So I’ll look for him a little less.

There might be someone out there who suits you better than Yoon-su.

I guess I haven’t totally escaped yet. There’s no one else but Yoon-su. (laughs)

JIN HO-EUN

How did you get involved with Love in the Big City?

I wanted to be in a queer drama. I heard this was being made, and as you know, the original novel was really well-loved. They said that four directors would be filming it, so I auditioned. I was really greedy for the role of Gyu-ho. I kept reading the novel while preparing for the audition, but I didn’t know if it would turn out well.

So you got both the project and the role that you wanted.

I filmed a video for the first round of auditions, and I’ve been saying I wanted to play Gyu-ho since then. But director Hong Ji-young really liked that. At the time, I didn’t know which part or which director would suit me, and all four of them were at the audition, as well as Park Sang-young.

Gyu-ho is an important character. He appears a lot in the novel, and on the poster, the “I don’t care, because it’s you” tagline also comes from him.

I was really glad to get this role. He has a huge presence in the story, and because of that I wanted to do a good job. I also really liked director Hong Ji-young’s previous work. I watched all of her movies and also bought the novel to read.

What did you like so much about Gyu-ho?

He’s someone who always moves forward without wavering. He and Go Young are similar in some ways, and different in others, so they are able to see each other deeply.

According to the book description, Gyu-ho looks a bit mean, but he’s actually a sincere person.

I was the least confident about his appearance, so I asked Park Sang-young about it a lot before we filmed. Not only about his physical appearance, but also his inner self—should he closely resemble the Gyu-ho from the book or should he be different? The author wanted me to do it my own way. The first time I met him, we were waiting for another meeting to finish and spent a very awkward hour together in a room. But I asked him a lot of questions and we got closer.

What was it like working with director Hong Ji-young on Gyu-ho’s episodes?

She’s really lovely. She’s really detailed, and for every little thing she tries to maintain the author’s style while also boldly including her own touches. So while Go Young and Gyu-ho’s story is a poignant melodrama, at the same time it’s also very charming. Their story felt like a youth drama to me.

Go Young and Gyu-ho had the most romantic relationship in the story. In the end, isn’t Gyu-ho the one man Young can’t forget?

I think so. The script is really sad. I felt sad the day we shot the scene in the poster. Although a lot of time has passed, I still tear up when I look at the script or any related videos.

You haven’t gotten over it yet?

It’s not that, but the memories still remain. Maybe because we spent almost three months together? I appear in seven or eight episodes.

It must have been a bummer when it ended. How was your chemistry with Yoon-su?

I was really sad when filming ended. I was glad that Nam-su hyung had the role of Go Young. Although we had to make some adjustments during filming, we were a good fit from the start. When he was filming the first four episodes, it reflected what he felt. Hyung really took care of me.

Today the men who loved Go Young have gathered, but I believe this isn’t everyone? From what I heard, Yoon-su kissed a lot of people.

That’s right. Who did he say was the best? Did you not talk about that? He told me he kissed around 15 people, and I was impressed all over again. Not 15 kisses with one person in a single drama, but one kiss with 15 people...

So that’s why they call him “Devil Go Young.” He said that he was the one who seduced Nam-gyu, Young-su, and Gyu-ho.

He said that? But Gyu-ho absolutely isn’t someone who falls for that kind of thing. (laughs) Gyu-ho liked Go Young. He must have been satisfied with that.

Park Sang-young said Gyu-ho was “a pure person who can’t help but fall in love.” Honestly, isn’t Gyu-ho someone who can have a good relationship, even if it’s not with Go Young?

Yeah, that’s Gyu-ho’s appeal. Still, he’ll get hurt again, grow, and heal the other person. I think he can emit a certain kind of influence over everyone he chooses to be with; he had a good influence on Go Young when they were dating, and it’ll be the same when he dates someone else.

So he’s not worried about the future. How do you think Gyu-ho will do?

I also think about Gyu-ho’s future. From his actions in episodes 7 and 8, I realized he’s a constructive and practical person. That’s so like Gyu-ho.

Did Gyu-ho want Young to hold onto him?

I think it was fifty-fifty for Gyu-ho. I think it was more that Young wanted Gyu-ho to hold onto him. That made it even sadder because Gyu-ho really understood where Go Young was coming from. That’s how I approached it while filming.

What are you really like in a relationship?

I try to do my best all the time. Actually I’m not really sure, but Gyu-ho made me think that way. (laughs)

What was the most difficult part of playing Gyu-ho?

The line “I don’t care, because it’s you” was really hard. That line is from the novel, right? But having to deliver it on camera was a challenge. Also, “You don’t care if it’s not me?” I wanted to do a good job, so I discussed different versions with the director and we filmed a lot of takes. Please check it out when the drama comes out.

What kind of drama will Love in the Big City be?

I think this is a much-needed drama for our generation. It’s a story that showcases different perspectives, so even if it doesn’t happen immediately, I think people will continue to talk about it. When the casting news came out, I received a lot of supportive DMs. They said the world needs this type of show, and also thanked me. Of course, I also got a lot of jeering or disgusted emojis. Yoon-su hyung received a lot more of those, honestly.

How will you remember this drama?

I hope this drama becomes a representative work for my 20s. I filmed it when I was 25, at the crossroads of my mid-20s, and I think we told a really good story together. Can you watch it the day it premieres? I want to achieve the top ranking on Tving. I hope a lot of people watch it. Truly, seriously, please watch it.